Yvonne Craig

Memorable sexy scene:
1. Well, she has cute and innocent face and her height only 163 cm but sure the most attractive part of her are the oversized boobs (37C). We can watch them bouncing around in her movie. The most remembered of course when she wore her latex batgirl's suit, show off her dancer body, and tied up by the villain, you will wish to have downloaded the Batman TV series episodes from bittorrent. Here an example: http://www.youtube.com/watch?v=xHHSETFOl6U&feature=related


2.She did a semi nude scene in the man from U.N.C.L.E and sometimes got tied up by the villains http://www.youtube.com/watch?v=jmPL86HECsQ


Yvonne Craig was born in Taylorville, Illinois and grew up in Columbus, Ohio for the first 14 years of her life She was originally trained to be a ballet dancer and was a member of the corps de ballet of the Ballet Russe de Monte Carlo in the 1950s. Gradually, she moved into acting, and in 1959 appeared in three films: The Young Land, The Gene Krupa Story, and Gidget. In 1960, she appeared as a busty young coed with Bing Crosby in High Time, where she met and married singer/actor Jimmy Boyd In the following year, she appeared with Cesar Romero in Seven Women from Hell. Romero would later play the Joker in Batman. Another connection to Batman occurred when Craig appeared in "The Case of the Lazy Lover", a 1958 episode of the television series Perry Mason, which also featured Neil Hamilton as her stepfather. Hamilton would later play her father, Commissioner Gordon, in Batman.

After divorcing Boyd in 1962, Yvonne starred in several films, including roles with Elvis Presley in It Happened At The World's Fair and Kissin' Cousins and with Dennis Hopper, and appeared in In Like Flint as a Russian Ballet dancer opposite James Coburn.

In the mid-1960s, with film roles beginning to taper off, she moved into television, appearing in several shows including The Barbara Stanwyck Show and Death Valley Days. One of her more memorable roles came in 1968 when Craig appeared on Star Trek as Marta, a green-skinned Orion slave girl in the third season episode "Whom Gods Destroy" (1968).

In a 1965 episode of The Man from U.N.C.L.E. ("The Brain Killer Affair"), she helps solve the mystery of a brain-endangering poison. In 1966 U.N.C.L.E. released a theatrical film, One Spy Too Many. This was made from a two-part episode with added footage depicting more violence and risque content than seen on television. Craig was hired to do a semi-nude sunbathing scene and carry on a flirtatious relationship with Napoleon Solo.

In a 1966 episode of The Wild Wild West ("The Night of the Grand Emir"), she plays an assassin who performs an exotic Arabian dance. She also played an exotic dancer in an episode of McHale's Navy ("Pumpkin Takes Over", 1965). She appeared in an episode of The Big Valley with Lee Majors and Barbara Stanwyck.

In a 1968 episode of The Ghost & Mrs. Muir ("Haunted Honeymoon"), she plays a bride-to-be stranded overnight at Gull Cottage.

But her highest profile would come with the cult 1960s television series Batman as Batgirl.

Most famously, in Batman, she had the role of Batgirl (and her alter ego, librarian Barbara Gordon, Commissioner Gordon's daughter). She appeared in the final 1967–1968 season. Batgirl's true identity was unknown to Batman and Robin, and their true identities were unknown to her; only Alfred, the butler for Bruce Wayne/Batman, was aware of Batgirl's identity.

Although the Batman TV show has been considered as a parody or camp, (Adam West himself said that the show was intentionally a lampoon and farce) many have praised Yvonne Craig's portrayal as having paved the way for many other television heroines in the years that followed. Craig appeared in the last season of the series and was often put in "perilous" situations, along with Batman and Robin.

Craig felt some connection to the character and complained to DC Comics about her fate after Barbara Gordon was shot/paralyzed by The Joker in the 1988 graphic novel, Batman: The Killing Joke.

After Batman, Yvonne Craig continued to act sporadically in movies and television. Notably, she appeared in guest roles in Love, American Style(the first episode), Kentucky Jones, It Takes a Thief, The Mod Squad, and Emergency! From 1969–1972, she appeared in four episodes of the comedy series Love, American Style. She also did a guest role on The Six Million Dollar Man (1974). She also has made appearances as herself on some celebrity editions of Family Feud (1976-1985 version).

Craig eventually moved into private business. For a time, she was a coproducer of industrial shows, after which she worked successfully in the real estate business. She maintains her own internet website.

Craig appears in the documentary Ballets Russes. Since 2009, Craig has provided the voice of Grandma on the animated children's show Olivia. 

Michelle Pfeiffer

Memorable sexy scene:

1. She seldom appeared nude or had sex scene, but people remembered her as sex symbol after the legendary scene of "the Fabulous Baker Boys" when she wore sexy red dress and sang above a piano http://www.dailymotion.com/video/x2kk09_michelle-pfeiffer-in-the-fabulous-b_music   
2. Short sex scene from Tequila Sunrise http://fliiby.com/file/351402/htn4rxg9bu.html
3. As Catwoman in Batman Returns, very tight latex catsuit showed her mountain and valley.....:D 

From All Movie Guide: With a rare beauty that has inspired countless platitudes and an almost-permanent place on {~People}'s Fifty Most Beautiful list, Michelle Pfeiffer had to work long and hard before getting respect for her talent, rather than mere adulation for her looks. Born April 29, 1957, in Santa Ana, CA, Pfeiffer got her first taste of fame in her late teens, when she won both the Miss Orange County beauty contest and then the title of Miss Los Angeles. After high school, Pfeiffer went to college for a year, deciding that she wanted to become a court reporter. It was while working in a supermarket that Pfeiffer realized that acting was her true calling and she auditioned for commercials and modeling assignments while she attended acting school. Pfeiffer debuted before the cameras in a one-line role on the TV series Fantasy Island and went on to a string of bit parts on TV. She debuted on the big screen in a small part inFalling in Love Again (1980) and then had small roles in two more films before getting her big break with the role of Stephanie inGrease 2 (1982). This led to her portrayal of Al Pacino's wife in Brian De Palma's 1983 classic Scarface, for which the actress garnered favorable attention and greater opportunities. Her first starring role was in the comedy thriller Into the Night (1984) withJeff Goldblum and was followed by a turn in Richard Donner's fantasy adventure Ladyhawke (1985). Over the next couple of years, Pfeiffer acted in films of varying quality, but it was with 1987's The Witches of Eastwick that her career turned in a truly positive direction. Starring alongside Cher, Susan Sarandon, andJack Nicholson, Pfeiffer received much acclaim for her work, acclaim that continued with her turn in Dangerous Liaisons (1988), for which she received a Best Supporting Actress Oscar nomination. The same year, Pfeiffer took on an entirely different role as a Mafia wife in the 1988 hit comedy Married to the Mob. In 1990, she was rewarded with yet another Oscar nomination -- this time for Best Actress -- for her portrayal of a nightclub singer in The Fabulous Baker Boys (1989). 

The 1990s proved to be a good decade for Pfeiffer, allowing her to branch out with a variety of roles that kept her from being pigeonholed and provided opportunities for her to showcase her versatility. Highlights from the first half of the decade included the 1991 romantic drama Frankie and Johnny, in which she played a frumpy, bitter waitress opposite Al Pacino; 1993's underrated Love Field, for which she received her second Best Actress nomination; Tim Burton's 1992 adventure Batman Returns, in which she co-starred with Michael Keaton and a lethally sexy cat suit; and the acclaimed 1993 Martin Scorsese adaptation ofEdith Wharton's {-The Age of Innocence}. That same year, Pfeiffer would finally realize her lifelong goal of motherhood when she adpoted a baby girl named Claudia just a few short months before walking down the aisle for a second time to wed Ally McBeal and Boston Legal creator David E. Kelley (the actress' previous marriage to actor Peter Horton had dissolved in 1988). In 1994, Pfeiffer and Kelly would complete their nuclear family when the ecstatic mother gave birth to young John Henry. The second half of the decade saw Pfeiffer stick to dramas and romantic comedies, notably the 1996 hit One Fine Day with George Clooney, Jocelyn Moorhouse's 1997 adaptation of Jane Smiley's {-A Thousand Acres}, the star-studded 1999 adaptation of {+A Midsummer Night's Dream}, and the family drama The Deep End of the Ocean. Through it all, Pfeiffer maintained her siren status while increasing her bankability, no small feat in an industry where women over the age of 27 are often labeled as past their prime. Not that Pfeiffer would be in any danger of losing her looks in the near future; after perfectly meeting the rigorous standards of California plastic-surgeon Dr. Stephen Marquardt's complex "beauty formula" in 2001, the sultry actress was singled out as having the most beautiful face in all of Hollywood. Of course Pfeiffer's face alone couldn't be held accountable for her wild success, and the millennial turnover found the talented actress apprearing in such high-profile features as Rob Reiner's comedic marriage drama The Story of Us, Robert Zemeckis' supernatural thriller What Lies Beneath, and the Sean Penn drama I Am Sam. A supporting role in the 2002 literary adaptation White Oleander found Pfeiffer supporting an all-star cast of Hollywood up and comers, and a role as the voice of the goddess Eris in 2003's Sinbad: The Legend of the Seven Seas marked her first foray into animated feature territory. In 2006 Pfeiffer would continue to turn heads when she accepted the role of an older woman who falls for a younger man in director Amy Heckerling's I Could Never Be Your Woman. ~ Rebecca Flint Marx, Rovi